How To Draw Human Black Hairline

In this tutorial, we'll look at cartoon multiple hairstyles that tend to be popular choices for natural, afro textured hair: afros, locs, braids, and twists. While these styles could potentially be worn by people with other hair types, we volition primarily focus on Type 4 hair.

We'll take a stylistic approach in this tutorial. Delight note that this is not an exhaustive list; at that place are a myriad of styles and options out there, and no two subjects are exactly alike. People come in a multifariousness of shapes, sizes, and colors (as does their hair!). One of the best ways to observe a subject is to do but that: notice. When in doubt, await at properly sourced reference materials.

i. Pilus Types

Step ane

"Type 4" generally refers to the Andre Walker Hair Typing System, a general classification organization for identifying pilus's attributes. It is non a flawless system, nor is it without valid criticisms, only nosotros'll utilize it as a general starting point in this tutorial.

Blazon 4 is coily hair—or very tight curls—which are typically quite voluminous. Notation, for example, the divergence between a ponytail on Type 1 hair (direct) and Blazon 4 hair (coily). Denser curls or coils will typically result in volume that you would generally not see in straighter pilus types.

Step 2

That said, It's important to continue the hair's volume in mind, when observing and visually experimenting with hairstyles. Annotation, for example, how the pilus varies when parting Type 1 hair (straight) and Blazon iv pilus (coily). Changing the way the hair is sectioned on the head can redistribute its volume.

2. How to Draw Afro Hairstyles

Step 1

Let'due south begin by looking at afro inspired hairstyles. I have Type 4 hair myself, and information technology's my favorite style to vesture!

Type iv hair is more often than not separated into 4A, 4B, and 4C, just some people may have a combination of more than one type. By and large speaking, the scale relates to the density or tightness of the coils. This, then, often affects how the volume is distributed on the caput. Again, people come in a diversity of shapes, sizes, and colors—these are overall insights and not a representation of every person out at that place (as nosotros all vary!).

Here are some basic contours that illustrate different ways the volume could be distributed on the skull, inspired by 4A, 4B, and 4C hair.

Step two

Something I similar to keep in mind, when drawing this pilus type, is that the hair is coily (or curly). So, this generally isn't a time when I would utilize direct lines—every bit the hair isn't straight. Instead, varied contours volition oftentimes make for a more organic aesthetic.

For more than on drawing this pilus type, I recommend checking out my How to Draw Natural, Afro Textured Hair tutorial.

Here's an case of how we could take those bones contours and add varied lines to brainstorm to define the hair's shape.

Step three

Now, let's explore some different ways afros tin be styled.

These are examples, but by no means an exhaustive list. Over again, note that when the pilus is pulled back, book is redistributed.

Here are some basic, initial contours that explore three dissimilar styles.

Now, use varied lines to further ascertain the forms and create an organic expect and feel.

3. How to Draw Locs

Step 1

Locs are beautiful, aren't they? Visually, they are typically defined as thick "locks" of hair, permanently spring in strands. That said, when drawing them, I like to approach them as a long, cylindrical shape.

In green, yous'll run across a long, cylindrical shape that has some variation to information technology. These are my initial contours, where I've explored the shape I want to depict. And then, I tin draw details on top.

We won't exist looking at value or color in this tutorial, simply texture and other variations can still be unsaid with line. Again, I like to utilise varied, organic lines to establish a more natural look.

Stride 2

So, when drawing an unabridged head of hair, I like to work in a series of layered, cylindrical shapes. In this instance, I started at the hairline and continued to build upon it. It's important to think about how the lines move and flow on the skull.

This might sound a little silly, but I like to think most wrapping thick spaghetti around a round surface, like a bowling brawl.

Step 3

Once I've blocked out how I'd like the pilus to sit and flow on the head, I can begin to refine my work. Once more, annotation the varied lines on the outer contours of the strands.

And then, personally, I like to add a little unsaid texture with line. Note the regal ovals here; they visually correspond the depth of the loc. Notice how it visually implies the circumference, in comparing to the dark-green line, which does non. The surface of the loc is not straight, and then a curved line may be a amend choice for defining depth and texture here.

Step 4

Allow's try this with some variations. Below, I've blocked out another ways 1 might wear locs.

Step five

One time you're happy with where your shapes have been placed, you tin refine your work with varied lines.

Step 6

And finally, line can exist used to further establish book and texture.

4. How to Draw Braids

Braids and locs have some visual similarities; both are generally cylinder-like, when thinking about basic shapes. At that place are many, many dissimilar means that braids can be created and worn. Personally, I've worn braids both layered and affluent confronting my scalp. The difference is exactly as they audio.

Step 1

In the first way, the hair is sectioned and braided in a layered fashion. This concept is like to what we explored in the previous section of this tutorial.

I laid out some simple lines to decide how I'd like the hair to flow. A big difference here, in how I like to describe braids, is the outer contour of the complect. Personally, I like to draw them with a more than uniform wait.

Pace 2

Braids themselves tend to have a pattern to them, as the pilus is braided in a repetitive fashion. I similar to draw braids via a series of swooping lines, as shown in purple. So, I create the aforementioned kind of lines, in the reverse direction, as shown in bluish.

I like to focus on the full general texture and pattern that these lines create, when drawing this style with line.

Step iii

In some styles, the hair is sectioned, but braided in a manner that conforms to the head. Styles similar this come in a wide variety of patterns and beautiful, artistic interpretations. Note the visible scalp surface area.

Similarly to other styles, I similar to get-go by blocking out bones shapes. So, I can continue by creating a braid-similar pattern on top, keeping the flow that I created in mind as I draw.

Visual break down of how to draw braids that conform to the head

Step 4

Now, let'south explore this further with some additional examples. Keep in mind that pilus can also be partially braided!

Again, I started with bones contours that assist found what I desire to describe, how the hair will be placed, and how it sits on the head.

Basic contours illustrating different braided styles

Step 5

Then, using the same method of creating patterns, I followed my guidelines. Once again, I don't like to focus as well hard on geometric perfection in my personal, stylistic choices. Interpret this the way that works best for your artistic goals.

five. How to Draw Twists

Step one

Let'south as well take a look at drawing ii stranded twists. You lot'll notice similarities in the basic shapes here—over again, I like to think about long, cylindrical shapes when I'm drawing. However, we'll work with a different design.

Instead of three braided strands, nosotros're working with two twisted ones. The blue line illustrates how I would first the strand, and the pink illustrates how I would "close" it upwards.

Visual break down of how to draw simple twists

Step two

Keep in mind, all the same, that the way the hair sits on the head tin vary! Allow's try the same techniques, simply with the hair layered on the head in a different style.

Again, I started by blocking out the forms (in green), and so added detail and blueprint using the method described in blue and pink.

Visual break down of how to draw varied twists

Stride iii

So, when drawing this type of twist, I would recommend keeping the context of the other styles we've reviewed in listen. You will generally run across similarities in layering and volume, but a difference in pattern.

Let's effort this with some additional examples.

Again, start with basic contours and shapes. Think almost how you'd similar the strands to sit on the caput.

Basic contours illustrating different twist styles

Step iv

Then, you can refine your initial concept, keeping pattern and variation in mind, in a like manner to braids.

And At that place You Have It

We've explored multiple hairstyles that are often popular with Blazon 4 hair. Once more, this is by no means "the end"—in that location are so many different means pilus can be styled! Hopefully, this tutorial provided you lot with some insight and inspiration to go describe and experiment with your ain lovely looks.